RESONANCE '24

July 3, 4 and 5, from 10 a.m. to 3 p.m.

There will be a workshop every day from 10 a.m. to 12:30 p.m., and from 1:30 p.m. to 3 p.m., with a 1-hour break for lunch.

On the 4th at 4:30 p.m. there is the presentation of the book Modos de investigar que crean pedagogías, published by Segunda En Papel, with Josefina Zuain. (Free activity)

CONTRIBUTIONS

Entire intensive _ €180

Early bird _ €150 (before June 15)

one day _ €60

These sessions are aimed at anyone who, through practice, wants to pool, share and generate research and knowledge from the parameters of movement and the creative process, putting their body at the center. Also to anyone interested in approaching and reflecting, hearing or hearing about the body in movement.

It is an accessible space for people with reduced mobility.

180,00 €

Resonance is a research and meeting space within nunArt's programming where we take the time to get in touch and explore temporalities, ways of listening to each other and sharing our processes. These days are designed to practice and invent ways of thinking (dancing, feeling, perceiving, documenting dance) together.

In this edition we want to review the processes that emerge during, in, in the face of what we call feedback. What are the processes of return, reception or articulation through movement, writing or conversation and their tones? Is the idea of feedback enough to think about the architectures of our work meetings? How does the translation process operate in this space between? What is it that we (in)corporate from this contact? From an ecosomatic perspective, which is relational, is feedback the instaurative movement?

For this edition of Resonance we want to touch (us) through the practices to be able to detect-think-dance if necessary the encounter between different textures, tones, shapes to continue expanding-deepening. We think of these work days as a time to collectively review how this hapticity activates an inevitable flow of information that often displaces the research itself.

>>>  F I L L   I N   T H E   F O R M  <<<

Alberto Cissello (IT/AT)  is a dance artist currently living in Vienna. Among his most recent collaborations as a performer are works by choreographers Eva-Maria Schaller, Daphna Horenczyk, and Cielaroque/Helene Weinzierl, whose performances were showcased in different festivals such as ImPulsTanz, WUK performing arts, and Sommerszene Salzburg, among others. Together with Martina De Dominicis, he co-founded the artistic duo debocs, taking their work on tour to venues such as Zagreb Dance Center (HR), BASE Milano (IT), Theater im Ballsaal (DE), and the tanz_house festival Salzburg 2020 (AT). As a guest teaching artist, Alberto has been invited to conduct workshops and trainings for international institutions including Tanzquartier Wien, Musik und Kunstuniversität Wien , Divadlo Štúdio Tanca Festival, Festival Spectrum, Universidad Nacional de Heredia in Costa Rica, and Play Practice Artistic Residency in Bangalore. Parallel to his artistic work, he is the co-initiator of BACKPULVER, a peer-to-peer-based platform for artistic knowledge exchange in the field of contemporary performance.

Laura Vilar (ES/AT) is a dancer, creator, teacher and researcher, currently living in Vienna. She holds a doctorate in philosophy from the UAB with artistic research through dance. She is a member of the teaching team of the Master's Degree in Artistic Research and Design, EINA-UAB. She co-directs nunArt, an artistic research center in Barcelona and is part of the Dance Pedagogy department of the Institut del Teatre de Barcelona, teaching different subjects. She teaches workshops both nationally and internationally. She has been coordinator of Professional Training at the Area dance school (2017-2021). As a dancer she has worked in different companies, highlighting Compagnie Taffanel (2003-2010) and Compañía Cobosmika (2006-2013), with whom she worked internationally with Russell Maliphant's company. In recent years she has presented the creations Sanjiao, (2018), Voyager (2019) and Attempts at (dis)appearance (2021-2022). She is currently the artistic director of the Im_flieger Schule’24 project, Vienna

Josefina Zuain (AR/IT) is a dancer, writer and art historian. She has studied modern techniques (Humphrey Technique), composition and improvisation from somatic techniques (Feldenkrais, Eutonía), stretching and ballet through biomechanics (Gurquel Technique), among others. She has trained in Twerk and Sexy Style, bounce and Heels techniques in Madrid, Salamanca, Rome and other cities. She is currently developing her doctoral research at the University of Salamanca around Twerk, from a perspective that investigates the arguments that justify the persecution of certain dance modes. She has created and directs two content production platforms specialized in dance(s): 2DA En Papel EDITORA and librosdedanza.com.ar ISSN22508708.